SPEAKING OF FURNITURE: Conversations with 14 American Masters

The cover of Speaking of Furniture features a detail image of artist Richard Scott Newman’s Umbrella Stand. The wooden stand is made of slats of stained walnut that fan outward at the top.
Furniture maker and teacher Wendy Maruyama stands in a studio space facing the camera with one arm across her body and the other cupping her chin in her hand. She is smiling.
A desk by artist Jere Osgood has four black legs that support a round tabletop. Covering the tabletop is a domed enclosure made out of a light-hued wood. Half of the dome slides back.
A long bench by artist James Schriber is made out of dark wood and leather. The seat of the bench is formed with three carved seats, the fronts of which resemble swags of draped cloth.
A set of drawers by artist Judy Kensley McKie, titled Pyramid Chest, is composed of six tiers of drawers that form a pyramid shape. Each tier is made out of light-colored wood and patterned .
A detail of a table by artist Michael Hurwitz is made of yellow cedar that forms a lattice on all the table’s surfaces. The lattice is made of repeating four-petaled flower shapes.
A detail of a desk by artist Jere Osgood shows a desktop that is sheltered by a round dome with built-in storage compartments and two small drawers.
The cover of Speaking of Furniture features a detail image of artist Richard Scott Newman’s Umbrella Stand. The wooden stand is made of slats of stained walnut that fan outward at the top.
Furniture maker and teacher Wendy Maruyama stands in a studio space facing the camera with one arm across her body and the other cupping her chin in her hand. She is smiling.
A desk by artist Jere Osgood has four black legs that support a round tabletop. Covering the tabletop is a domed enclosure made out of a light-hued wood. Half of the dome slides back.
A long bench by artist James Schriber is made out of dark wood and leather. The seat of the bench is formed with three carved seats, the fronts of which resemble swags of draped cloth.
A set of drawers by artist Judy Kensley McKie, titled Pyramid Chest, is composed of six tiers of drawers that form a pyramid shape. Each tier is made out of light-colored wood and patterned .
A detail of a table by artist Michael Hurwitz is made of yellow cedar that forms a lattice on all the table’s surfaces. The lattice is made of repeating four-petaled flower shapes.
A detail of a desk by artist Jere Osgood shows a desktop that is sheltered by a round dome with built-in storage compartments and two small drawers.

SPEAKING OF FURNITURE: Conversations with 14 American Masters

$75.00

PREFACE BY: WARREN EAMES JOHNSON AND BEBE PRITAM JOHNSON
FOREWORD BY: EDWARD S. COOKE, JR.
INTRODUCTION BY: ROGER HOLMES

Hardcover
8 x 10 ½ inches, 336 pages
336 color plates + 48 halftones
ISBN: 978-0-9888557-1-7

$75 | £58 | €69

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An engaging history of studio furniture, Speaking of Furniture: Conversations with 14 American Masters is a fresh, interesting, and in-depth examination of the modus operandi of 14 accomplished—and diverse—furniture makers. The colorful, informative study includes expository conversations with James Krenov, Wendell Castle, Jere Osgood, Judy Kensley McKie, David Ebner, Richard Scott Newman, Hank Gilpin, Alphonse Mattia, John Dunnigan, Wendy Maruyama, James Schriber, Timothy S. Philbrick, Michael Hurwitz, and Thomas Hucker. The insightful interviews illuminate how these creative and gifted craftspeople arrived professionally and what their craft means to them individually.

In his interpretive and elucidatory Foreword, Edward S. Cooke, Jr. maps out and gives the background on the parameters of the studio furniture world. Author and furniture maker Roger Holmes offers an insider’s perspective on the art and craft of producing exquisite contemporary furniture in his conversational Introduction and maintains, “Art or craft, this is very personal work.” This elegant presentation skillfully sheds light on the thought processes and techniques of a celebrated and exceptional gathering of studio furniture makers who are as unique as they are stellar. As sculptor and furniture designer Wendell Castle remarks, “What I admired was that…fine art and craft were the same thing.”

Based in East Hampton, New York, Pritam & Eames is associated with the finest work in American furniture making since 1981. As the country’s oldest established gallery connected with the American studio furniture movement, they represent a distinguished group of artist-craftspeople. Edward S. Cooke, Jr. is the Charles F. Montgomery Professor of American Decorative Arts in the Department of the History of Art at Yale University. He has served as director of the Yale Center for the Study of American Art and Material Culture since 1992 and served as the Chair of the department from 2000 to 2006. Roger Holmes, author and furniture maker, manages a workshop in Lincoln, NE, where he combines traditional handwork and contemporary technology. Author of The Woodworker’s Companion, he has been an editor for Fine Woodworking magazine and has written extensively on furniture and furniture making.