RICHARD SEGALMAN BLACK & WHITE: Muses, Magic & Monotypes

The book cover of Richard Segalman Black & White features the monotype titled Alice, which shows the figure of a woman wearing a dress .
Artist Richard Segalman sits at a desk and works on a monotype. He looks down at the work in progress, which is surrounded by paintbrushes and ink smudges.
A black-and white-monotype titled City Sun shows a shadowy crowd of people walking about.
A monotype titled Ritual gesturally shows a crowd of people gathered together. An umbrella-like shape hovers above several figures on the left.
A monotype titled Brighton Beach shows a collection of gestural figures walking along a shoreline. One larger figure in the foreground holds the hem of her clothing up.
A monotype titled Coffee shows a figure, turned away from the viewer, working behind a diner counter.
A monotype on paper with a deckled edge is titled Family and shows a child sitting in the lap of an adult who is seated on the ground with outstretched legs.
A monotype titled Simi Stone shows a figure from the chest up. The figure has a large head of hair that shadows the eyes, which look out at the viewer.
A monotype on paper with a deckled edge is titled Sunday Crowd. Shadowy, gestural figures walk among each other with the abstracted form of buildings in the background.
A monotype titled Two Friends shows the backs of two women standing side by side. One wears a long white skirt and a wide-brimmed white hat. The other wears a dark full-length dress.
A monotype titled Winter Sun shows several figures wearing long coats walking alone or in pairs along a sunlit path and moving away from the viewer.
The book cover of Richard Segalman Black & White features the monotype titled Alice, which shows the figure of a woman wearing a dress .
Artist Richard Segalman sits at a desk and works on a monotype. He looks down at the work in progress, which is surrounded by paintbrushes and ink smudges.
A black-and white-monotype titled City Sun shows a shadowy crowd of people walking about.
A monotype titled Ritual gesturally shows a crowd of people gathered together. An umbrella-like shape hovers above several figures on the left.
A monotype titled Brighton Beach shows a collection of gestural figures walking along a shoreline. One larger figure in the foreground holds the hem of her clothing up.
A monotype titled Coffee shows a figure, turned away from the viewer, working behind a diner counter.
A monotype on paper with a deckled edge is titled Family and shows a child sitting in the lap of an adult who is seated on the ground with outstretched legs.
A monotype titled Simi Stone shows a figure from the chest up. The figure has a large head of hair that shadows the eyes, which look out at the viewer.
A monotype on paper with a deckled edge is titled Sunday Crowd. Shadowy, gestural figures walk among each other with the abstracted form of buildings in the background.
A monotype titled Two Friends shows the backs of two women standing side by side. One wears a long white skirt and a wide-brimmed white hat. The other wears a dark full-length dress.
A monotype titled Winter Sun shows several figures wearing long coats walking alone or in pairs along a sunlit path and moving away from the viewer.

RICHARD SEGALMAN BLACK & WHITE: Muses, Magic & Monotypes

$85.00

BY: SUSAN FORREST CASTLE
FOREWORD BY: PHILIP ELIASOPH, PHD.
INTRODUCTION BY: ANTHONY KIRK

Hardcover
11 x 12 inches, 176 pages
94 color plates + 8 halftones
ISBN: 978-0-9888557-8-6

$85 | £65 | €78

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For many, the name Richard Segalman conjures up a vision of light-infused paintings of women gathered on a beach, gazing out the window of a New York City brownstone, or dressed in costumes from another era. But just as Edgar Degas, approaching his 60th year, surprised gallery goers with an exhibition not of ballerinas or race horses, but of highly atmospheric monotype landscapes, so too does Segalman surprise us with this exceptional collection of monotypes he began to produce in 1993, at nearly 60.

Segalman’s shift into this medium is powerfully conveyed through his arresting black-and-white prints that range from anonymous crowds on Coney Island beaches or New York City streets to a solitary figure in private contemplation. This monochromatic focus makes perfect sense: his first gallery appearance in New York—a sold-out show that gave him the courage to embrace the artist life—consisted entirely of black-and-white charcoal drawings, several stunning examples of which open this book.

In addition to writing for Sotheby’s, the Guggenheim Museum, and numerous individual artists, Susan F. Castle has written on art, architecture, and garden design for a variety of national publications. She also created, wrote, and coproduced Quilt, a multimedia online show. Philip Eliasoph, PhD is Professor of Art History at Fairfield University, Connecticut and is the founder and on-stage host/moderator for the university’s popular public affairs series, Open VISIONS Forum. Anthony Kirk, master printer, teacher, and artist, has organized surveys of prints by Jim Dine, Helen Frankenthaler, and Robert Kipniss, and has curated exhibitions of Eric Aho, Wolf Kahn, Emily Mason, and Michael Mazur