WENDELL CASTLE: A Catalogue Raisonné, 1958-2012

The book cover of Wendell Castle: A Catalogue Raisonné 1958–2012 features an image of a wooden bench titled Arcadia against a white background.
Wendell Castle stands at a workbench holding a sculpture that he is working on. A second sculpture, a can of white paint, and other small tools are also on the workbench.
A chair form with solid, rounded features made out of fiberglass and painted with shiny, red automobile paint is shown.
A fuchsia fiberglass table shaped like a donut is balanced on its side. The top and bottom of the oblong form are flat.
A chair made out of shiny silver-leafed fiberglass is shaped like an S. The S-shape form extends up from the floor, curves around into the seat, and tapers off into a rounded seat back.
A two-seater settee made out of afromosia wood is shown. An oblong base with a single rounded leg supports the two-seater chair with its low back.
A round tabletop is held in the air by a single serpentine leg that branches off the right-hand edge of the tabletop and curves underneath it to end in a Y shape.
A form titled Bagel Ice Bucket is made out of bronze, aluminum, and silver leaf. The base is a bronze-hued cone adorned with semicircular reliefs reminiscent of bagel halves.
A set of three rectangular drawers is set into the center of an irregularly shaped star that stands on two of its points. The star is textured with grooves carved into its wooden surface.
A wood table made of ebonized walnut is shown. The base is a small circular dome from which a single cylindrical leg branches out of the left side and seamlessly joins the body of the tabletop.
A chair made out of stained mahogany has a curved, oblong seat back that is held in the air by a cylindrical leg joined to the base of the chair. The base is domed where the leg joins it .
The book cover of Wendell Castle: A Catalogue Raisonné 1958–2012 features an image of a wooden bench titled Arcadia against a white background.
Wendell Castle stands at a workbench holding a sculpture that he is working on. A second sculpture, a can of white paint, and other small tools are also on the workbench.
A chair form with solid, rounded features made out of fiberglass and painted with shiny, red automobile paint is shown.
A fuchsia fiberglass table shaped like a donut is balanced on its side. The top and bottom of the oblong form are flat.
A chair made out of shiny silver-leafed fiberglass is shaped like an S. The S-shape form extends up from the floor, curves around into the seat, and tapers off into a rounded seat back.
A two-seater settee made out of afromosia wood is shown. An oblong base with a single rounded leg supports the two-seater chair with its low back.
A round tabletop is held in the air by a single serpentine leg that branches off the right-hand edge of the tabletop and curves underneath it to end in a Y shape.
A form titled Bagel Ice Bucket is made out of bronze, aluminum, and silver leaf. The base is a bronze-hued cone adorned with semicircular reliefs reminiscent of bagel halves.
A set of three rectangular drawers is set into the center of an irregularly shaped star that stands on two of its points. The star is textured with grooves carved into its wooden surface.
A wood table made of ebonized walnut is shown. The base is a small circular dome from which a single cylindrical leg branches out of the left side and seamlessly joins the body of the tabletop.
A chair made out of stained mahogany has a curved, oblong seat back that is held in the air by a cylindrical leg joined to the base of the chair. The base is domed where the leg joins it .
Out of Print

WENDELL CASTLE: A Catalogue Raisonné, 1958-2012

$150.00

BY: EMILY EVANS EERDMANS
ESSAYS BY: DAVE BARRY, GLENN ADAMSON, AND JANE ADLIN

Hardcover
11 x 12 inches, 516 pages
1,150 color plates + 400 black and white
ISBN: 978-0-9888557-0-0

$150 | £115 | €138

Temporarily Out of Stock

Sculptor and furniture designer Wendell Castle has carved a distinct path over nearly six decades of a distinguished career, and this long-awaited recording of his oeuvre, Wendell Castle: A Catalogue Raisonné, 1958–2012, beautifully delivers. The voluminous accounting, beginning with Castle’s earliest, mid-century works through to his unabashed experiments with unconventional materials (gel-coated fiberglass and metallic automobile paint) and his latest signature wood laminations, is comprehensive and detailed. Three essays of varying perspectives introduce the catalogue raisonné and a substantial back matter follows. Castle is widely collected and has works in the permanent collections of more than 40 museums and cultural institutions around the world, including The Metropolitan Museum of Art (New York); Museum of Modern Art (New York); Smithsonian American Art Museum (Washington, DC); Musée des beaux-arts de Montréal (Quebec, Canada); and the Victoria and Albert Museum (London). Castle has also been the recipient of many honors and awards, including four National Endowment for the Arts grants, three honorary degrees, the American Craft Council Gold Medal, and a Lifetime Achievement Award from the Brooklyn Museum of Art.

Emily Evans Eerdmans is a design historian and instructor on the history of interior design and furnishings at the Fashion Institute of Technology, New York. Dave Barry is a Pulitzer Prize-winning American author and columnist, who wrote a nationally syndicated humor column for The Miami Herald from 1983 to 2005. Glenn Adamson is the director of the Museum of Art and Design in New York. Jane Adlin is associate curator for design and architecture in the Department of Modern and Contemporary Art at The Metropolitan Museum of Art.