WENDELL CASTLE REMASTERED

The book cover of Wendell Castle Remastered features an interior photograph of his studio with the artwork High Hopes sitting among multiple tables, workbenches, and other artworks in progress.
Artist Wendell Castle stands at a workbench holding a sculpture he is painting. On the workbench is a second sculpture, a can of white paint, and a variety of small tools.
Someone stands in front of a gold-colored sculpture with a blowtorch aimed at the sculpture’s conical elements.
A digital, 3D model for one of Castle’s designs has yellow and blue concentric rings that indicate where layers of wood lamination will occur in the final design.
A dark gray sofa made of bronze appears against a white backdrop. Its long oval seat slopes up on either end and has a small hole in the middle.
A glossy black plastic shelf shaped like a cloud appears on a white background.
A large, partially finished wooden piece sits in the doorway of a workshop. Through the doors a large piece of machinery and another design in progress can be seen.
A sculpture composed primarily of a large, irregularly shaped wooden ring made of walnut stands on three slim brass legs.
A table, chair, and stool built out of a dark wood sit on a white platform. The tabletop is held in the air by a long cylindrical arm extending from the large teardrop-shaped chair.
A lime-green fiberglass lamp in the shape of a curved, undulating arch appears on a white backdrop. A neon light tube runs along the arch’s outer edge.
A digital 3D model for one of Castle’s designs has thin, blue concentric rings that indicate the curvature in the final design of a piece titled Runway.
The book cover of Wendell Castle Remastered features an interior photograph of his studio with the artwork High Hopes sitting among multiple tables, workbenches, and other artworks in progress.
Artist Wendell Castle stands at a workbench holding a sculpture he is painting. On the workbench is a second sculpture, a can of white paint, and a variety of small tools.
Someone stands in front of a gold-colored sculpture with a blowtorch aimed at the sculpture’s conical elements.
A digital, 3D model for one of Castle’s designs has yellow and blue concentric rings that indicate where layers of wood lamination will occur in the final design.
A dark gray sofa made of bronze appears against a white backdrop. Its long oval seat slopes up on either end and has a small hole in the middle.
A glossy black plastic shelf shaped like a cloud appears on a white background.
A large, partially finished wooden piece sits in the doorway of a workshop. Through the doors a large piece of machinery and another design in progress can be seen.
A sculpture composed primarily of a large, irregularly shaped wooden ring made of walnut stands on three slim brass legs.
A table, chair, and stool built out of a dark wood sit on a white platform. The tabletop is held in the air by a long cylindrical arm extending from the large teardrop-shaped chair.
A lime-green fiberglass lamp in the shape of a curved, undulating arch appears on a white backdrop. A neon light tube runs along the arch’s outer edge.
A digital 3D model for one of Castle’s designs has thin, blue concentric rings that indicate the curvature in the final design of a piece titled Runway.

WENDELL CASTLE REMASTERED

$50.00

BY: GLENN ADAMSON, RONALD T. LABACO, LOWERY STOKES SIMS, SAMANTHA DE TILLIO, AMY CHEATLE, AND STEVEN J. JACKSON

Hardcover
11 x 12 inches, 88 pages
95 color plates + 4 black and white
ISBN: 978-0-9962007-0-7

$50 | £40 | €48

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Wendell Castle, master furniture maker, designer, sculptor, and educator, is in the sixth decade of a prodigious lifework that began in 1958 and aligns with the development of the American art furniture movement. Wendell Castle Remastered is an emblematic exhibition that blends the artist’s seminal works with his current collection, produced with digital technology. In part a self-reflection, this eponymous, full-color companion book examines some of Castle’s historically representative works as well as significant contemporary furniture pieces, continuing his highly respected and acclaimed sculptural/functional dialogue. Castle, now 83 and ever the innovator, is remarkable for his openness to new technologies; he has not only embraced an initially complex practice, but has “remastered” it.

Glenn Adamson is the director of the Museum of Arts and Design in New York. Ronald T. Labaco is the Marcia Docter curator at the Museum of Arts and Design. Lowery Stokes Sims, retired curator emerita at the Museum of Arts and Design, was executive director, then president, of The Studio Museum in Harlem and was on the education and curatorial staff of The Metropolitan Museum of Art in New York. Decorative arts historian Samantha De Tillio is curatorial assistant at the Museum of Arts and Design. Amy Cheatle, social technologist and visual artist at Cornell University, researches collaborative and creative endeavors mediated through technology. Steven J. Jackson is associate professor and director of graduate studies in the Department of Information Science at Cornell University.